When
John
McGahey
floated
in the basket of his balloon above
Chester
in
1855,
he
captured
this
unique
view
of
the
medieval
cathedral
as
it
appeared
before
being
subject
to
a
series
of
radical
and-
mostly-
necessary
restorations.
Author
and
traveller
Daniel
Defoe had
written
of
it
a
century
earlier,
"
'tis
built
of
a
red,
sandy,
ill-looking
stone,
which
takes
much
from
the
beauty
of
it,
and
which
yielding
to
the
weather,
seems
to
crumble,
and
suffer
by
time,
which
much
defaces
the
building".
Writing
in
1854,
just
a
year
before
this
view
was
made, local author and guide
Thomas
Hughes observed
"time
has,
of
course,
been
at
work
here,
as
elsewhere,
gnawing
away
at
the
old
red
sandstone;
but
there
is
still
enough
left
to
give
us
an
idea
of
its
ancient
beauty...
but
now
fast
going
to
decay".
The great architect Sir George
Gilbert
Scott,
who, in the nick of time,
undertook
extensive
restoration
work here
in
1868-76,
wrote
of
the
main
tower,
which
had
been
originally
built
about
1210,
as
a
"picturesque
and
crumbling
pile
of
soft
sandstone,
inhabited
by
jackdaws".
The
churchyard
is
seen
to
be
full
to
capacity
with
gravestones.
These
have
since
been
'tidied
away'
and
replaced
with
lawns, flower
beds
and
benches.
To
the
right
of
the
cathedral
may
be
seen
the
elegant
houses
surrounding
Abbey
Square,
built
"after
the
London
fashion"
between
the
years
1754
and
1761-
although
the
western
terrace
(parallel
with
Northgate
Street)
was
not
completed
until
the
1820s-
on
the
site
of
the
Abbey's
brewery
and
bakehouse.
The
line
of
Northgate
Street
cuts
across
the
top
of
the
picture-
the
Via
Decumanus
of
the
Roman
fortress
of
Deva-
terminating, in the top right-hand corner,
at
the
very
centre
of
the
city, St. Peter's Church at
The
Cross.
Just
above
the
Cathedral
may
be
seen
the
cupola
atop
the
roof
of
the
17th
century
Exchange
which
formerly
stood
in
the
middle
of
the
Market
Square
before
burning
down
in
1862-
a
mere
seven
years
after
its
appearance
in
this
drawing.
Illustrations of its southern end are fairly common, including this extremely early photograph by Henry Fox-Talbot, but this is believed to be the only record we have of its eastern, 'long' side. (Perhaps artists were dissuaded from portraying the sides because of the difficulty of 'standing back' to get a clear view?)
Its
replacement
was
the
very much
larger
Gothic
style
Town
Hall,
which
was
erected
on
the
west
side
of
the
Market
Square
between
1864-9.
The
city
wall
cuts
across
the
bottom
of
the
picture,
below
which
is
the
open
area
of
the
Kaleyards,
named after the
former
vegetable
gardens
of
the
monks
of
the
Abbey.
It had once formed part of a Roman parade ground and was later called The Jousting Croft.
Out of sight in the trees at the bottom is the smallest of the gates in Chester's City Walls, the Kaleyard Gate, built here by permission of King Edward I in 1275 to allow the monks easier access to their gardens- on condition that was built small enough to prevent armed men on horseback from riding through it and that it would be kept securely locked at night and in times of war. The tradition of locking the gate at nine o'clock each night continued right through until just a few years ago. The Kaleyards
is
today
used
as
a
car
park although, at the time of this update, Summer 2011, there exists a ludicrous and much-criticised council plot to relocate Chester's Market Hall onto it....
Other
enlarged
sections
from
McGahey's
wonderful
illustration:
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